ALAN MOWBRAY

(18 août 1896, Londres, Angleterre, UK)

(25 mars 1969, Los Angeles, Californie, USA)

 

 

 

 

 

 

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Alan Mowbray Picture

 

 

1931.

GOD’S GIFT TO WOMEN / MICHAEL CURTIZ

THE MAN IN POSSESSION / SAM WOOD

GUILTY HANDS (MAINS COUPABLES) / W.S. VAN DYKE

ALEXANDER HAMILTON / JOHN G. ADOLFI

LEFT OVER LADIES / ERLE C. KENTON

HONOR OF THE FAMILY (L’HONNEUR DE LA FAMILLE) / LLOYD BACON

NICE WOMEN / EDWIN H. KNOPF

1932.

LOVERS COURAGEOUS (COURAGE) / ROBERT Z. LEONARD

THE SILENT WITNESS (L’ACCUSATEUR SILENCIEUX) / R.L. HOUGH, MARCEL VARNEL

HOTEL CONTINENTAL (id.) / W. CHRISTY CABANNE

THE WORLD AND THE FLESH (LE MONDE ET LA CHAIR) / JOHN CROMWELL

MAN ABOUT TOWN / JOHN FRANCIS DILLON

THE MAN FROM YESTERDAY (LE REVENANT) / BERTHOLD VIERTEL

JEWEL ROBBERY (id.) / WILLIAM DIETERLE

WINNER TAKE ALL (TOUT AU VAINQUEUR) / ROY DEL RUTH

THE MAN CALLED BACK / ROBERT FLOREY

TWO AGAINST THE WORLD / ARCHIE MAYO

THE PHANTOM PRESIDENT ( LE PRESIDENT FANTOME ) / NORMAN TAUROG

SHERLOCK HOLMES (id.) / WILLIAM K. HOWARD

1933.

OUR BETTERS (HAUTE SOCIETE) / GEORGE CUKOR

A STUDY IN SCARLET (UNE ETUDE EN ROUGE) / EDWIN L. MARIN

PEG O’ MY HEART (PEG DE MON COEUR) / ROBERT Z. LEONARD

MIDNIGHT CLUB (CLUB DE MINUIT) / ALEXANDER HALL, GEORGE SOMNES

VOLTAIRE (id.) / JOHN G. ADOLFI

BERKELEY SQUARE (id.) / FRANK LLOYD

THE WORLD CHANGES (LE MONDE CHANGE) / MERVYN LE ROY

ROMAN SCANDALS (SCANDALES ROMAINS) / FRANK TUTTLE

HER SECRET / WARREN MILLAIS

1934.

LONG LOST FATHER / ERNEST B. SCHOEDSACK

THE HOUSE OF ROTHSCHILD (LES ROTHSCHILD) / ALFRED L. WERKER

WHERE SINNERS MEET (DOUVRES-PARIS) / J. WALTER RUBEN

CHEATERS (ESCROCS) / PHIL ROSEN

LITTLE MAN, WHAT NOW? (ET DEMAIN ?) / FRANK BORZAGE

THE GIRL FROM MISSOURI (J’EPOUSERAI UN MILLIONNAIRE) / JACK CONWAY

ONE MORE RIVER (SUR L’AUTRE RIVE) / JAMES WHALE

EMBARRASSING MOMENTS (DU DRAME A LA BLAGUE) / EDWARD LAEMMLE

CHARLIE CHAN IN LONDON (CHARLIE CHAN A LONDRES) / EUGENE FORDE

1935.

NIGHT LIFE OF THE GODS (LA NOUBA DES DIEUX) / LOWEL LSHERMAN

BECKY SHARP (id.) / ROUBEN MAMOULIAN

LADY TUBBS / ALAN CROSLAND

THE GAY DECEPTION (LE GAI MENSONGE) / WILLIAM WYLER

SHE COULDN’T TAKE IT (GOSSE DE RICHE) / TAY GARNETT

IN PERSON (JE TE DRESSERAI) / WILLIAM A. SEITER

1936

ROSE-MARIE (id.) / W.S. VAN DYKE

MUSS’EM UP (DOUILLES 25-35) / CHARLES VIDOR

DESIRE (DESIR) / FRANK BORZAGE

GIVE US THIS NIGHT (LE REVE DE SA VIE) /  ALEXANDER HALL

THE CASE AGAINST MRS. AMES / WILLIAM A. SEITER

FATAL LADY / EDWARD LUDWIG

MARY OF SCOTLAND (MARIE STUART) / JOHN FORD

MY MAN GODFREY (MON HOMME GODFREY) / GREGORY LA CAVA

LADIES IN LOVE (QUATRE FEMMES A LA RECHERCHE DU BONHEUR) / EDWARD H. GRIFFITH

FOUR DAYS WONDER / SIDNEY SALKOW

RAINBOW ON THE RIVER (LE CHANT DU MISSOURI) / KURT NEUMANN

1937.

ON THE AVENUE (SUR L’AVENUE) / ROY DEL RUTH

THE KING AND THE CHORUS GIRL ( LE ROI ET LA FIGURANTE ) / MERVYN LE ROY

AS GOOD AS MARRIED (J’ARRANGE LE FISC) / EDWARD BUZZELL

MARRY THE GIRL (MARIEZ-VOUS) / WILLIAM MCGANN

TOPPER (LE COUPLE INVISIBLE) / NORMAN Z. MCLEOD

VOGUES OF 1938 (VOGUES 1938) / IRVING CUMMINGS

ON SUCH A NIGHT / EWALD ANDRE DUPONT

MUSIC FOR MADAME ( MUSIQUE POUR MADAME ) / JOHN G. BLYSTONE

STAND-IN (MONSIEUR DODD PART POUR HOLLYWOOD) / TAY GARNETT

HOLLYWOOD HOTEL (id.) / BUSBY BERKELEY

1938.

MERRILY WE LIVE (MADAME ET SON CLOCHARD) / NORMAN Z. MCLEOD

THERE GOES MY HEART ( LA PAUVRE MILLIONNAIRE ) / NORMAN Z. MC LEOD

TOPPER TAKES A TRIP (FANTOMES EN CROISIERE) / NORMAN Z. MCLEOD

1939

NEVER SAY DIE (LA SOURCE AUX LOUFOQUES) / ELLIOTT NUGENT

WAY DOWN SOUTH (LA CHANSON DU SUD) / BERNARD VORHAUS

THE LLANO KID (LES CONTREBANDIERS DU LLANO) / EDWARD D. VENTURINI

1940.

MUSIC IN MY HEART (MUSIQUE DANS MON CŒUR ou MON CŒUR CHANTE) / JOSEPH SANTLEY

CURTAIN CALL / FRANK WOODRUFF

SCATTERBRAIN (UNE TETE FOLLE) / GUS MEINS

THE BOYS FROM SYRACUSE / A. EDWARD SUTHERLAND

THE VILLAIN STILL PURSUED HER (BOIRE ET DEBOIRES) / EDWARD F. CLINE

THE QUARTERBACK (JIMMY LE COSTAUD) / H. BRUCE HUMBERSTONE

1941.

FOOTLIGHT FEVER / IRVING REIS

THAT HAMILTON WOMAN (LADY HAMILTON) / ALEXANDER KORDA

THAT UNCERTAIN FEELING (ILLUSIONS PERDUES) / ERNST LUBITSCH

THE COWBOY AND THE BLONDE (LA VEDETTE ET SON COW-BOY) / RAY MCCAREY

ICE-CAPADES (ESCAPADES) / JOSEPH SANTLEY

MOON OVER HER SHOULDER (LES EXPERIENCES DU DR. ROSSITER ou JEU DANGEREUX) / ALFRED L. WERKER

I WAKE UP SCREAMING (QUI A TUE VICKY LYNN?) / H. BRUCE HUMBERSTONE

THE PERFECT SNOB (SCANDALE A HONOLULU) / RAY MCCAREY

1942.

WE WERE DANCING (DANSE AUTOUR DE LA VIE) / ROBERT Z. LEONARD

YOKEL BOY / JOSEPH SANTLEY

THE MAD MARTINDALES / ALFRED L. WERKER

ISLE OF MISSING MEN (L’ILE DES DISPARUS) / RICHARD OSWALD

PANAMA HATTIE / NORMAN Z. MC LEOD

A YANK AT ETON (UN DROLE DE LASCAR) / NORMAN TAUROG

THE DEVIL WITH HITLER (HITLER ET LE DIABLE) / GORDON DOUGLAS [MM]

1943.

THE POWERS GIRL (L’IRRESISTIBLE MISS KAY) / NORMAN Z. MCLEOD

SLIGHTLY DANGEROUS (L’AMOUR TRAVESTI) / WESLEY RUGGLES

STAGE DOOR CANTEEN (LE CABARET DES ETOILES) / FRANK BORZAGE

HOLY MATRIMONY (DEUX GRAINS DE BEAUTE) / JOHN M. STAHL

SO THIS IS WASHINGTON / RAY MCCAREY

HIS BUTLER’S SISTER (LA SOEUR DE SON VALET) / FRANK BORZAGE

1944.

THE DOUGHGIRLS / JAMES V. KERN

EVER SINCE VENUS / ARTHUR DREIFUSS

MY GAL LOVES MUSIC / EDWARD C. LILLEY

1945.

BRING ON THE GIRLS (L’OR ET LES FEMMES) / SIDNEY LANFIELD

EARL CARROLL VANITIES / JOSEPH SANTLEY

THE PHANTOM OF 42ND STREET / ALBERT HERMAN

WHERE DO WE GO FROM HERE? (DROLE D’HISTOIRE) / GREGORY RATOFF

TELL IT TO A STAR / FRANK MCDONALD

MEN IN HER DIARY / CHARLES BARTON

SUNBONNET SUE (SUZY DES BAS-FONDS) / RALPH MURPHY

1946.

TERROR BY NIGHT (LE TRAIN DE LA MORT) / ROY WILLIAM NEILL

IDEA GIRL / WILL JASON

MY DARLING CLEMENTINE (LA POURSUITE INFERNALE) / JOHN FORD

1947.

THE PILGRIM LADY / LESLEY SELANDER

LURED (DES FILLES DISPARAISSENT) / DOUGLAS SIRK

MERTON OF THE MOVIES (L’AS DU CINEMA) / ROBERT ALTON

CAPTAIN FROM CASTILLE (CAPITAINE DE CASTILLE) / HENRY KING

1948.

THE MAIN STREET KID / R.G. SPRINGSTEEN

THE PRINCE OF THIEVES (LE PRINCE DES VOLEURS) / HOWARD BRETHERTON

AN INNOCENT AFFAIR (TOUS LES MARIS MENTENT) / LLOYD BACON

MY DEAR SECRETARY (MA CHERE SECRETAIRE) / CHARLES MARTIN

EVERY GIRL SHOULD BE MARRIED (LA COURSE AU MARI) / DON HARTMAN

1949.

THE LONE WOLF AND HIS LADY / JOHN HOFFMAN

THE LOVABLE CHEAT (LE FAISEUR) / RICHARD OSWALD

YOU’RE MY EVERYTHING (TEL PERE, TELLE FILLE) / WALTER LANG

BUD ABBOTT AND LOU COSTELLO MEET THE KILLER, BORIS KARLOFF (DEUX NIGAUDS CHEZ LES TUEURS) / CHARLES BARTON

1950.

WAGON MASTER (LE CONVOI DES BRAVES) / JOHN FORD

THE JACKPOT (GARE AU PERCEPTEUR) / WALTER LANG

1951.

THE LADY AND THE BANDIT (DICK TURPIN, BANDIT GENTILHOMME) / RALPH MURPHY

CROSSWINDS (L’OR DE LA NOUVELLE-GUINEE) / LEWIS FOSTER

1952.

JUST ACROSS THE STREET / JOSEPH PEVNEY

BLACKBEARD, THE PIRATE (BARBE-NOIRE LE PIRATE) / RAOUL WALSH

ANDROCLES AND THE LION (ANDROCLES ET LE LION) / CHESTER ERSKINE

1954.

MA AND PA KETTLE AT HOME (MA ET PA FERMIERS MODELES) / CHARLES LAMONT

THE STEEL CAGE / WALTER DONIGER

1955.

THE KING’S THIEF (LE VOLEUR DU ROI) / ROBERT Z. LEONARD

1956.

THE MAN WHO KNEW TOO MUCH (L’HOMME QUI EN SAVAIT TROP) / ALFRED HITCHCOCK

THE KING AND I (LE ROI ET MOI) / WALTER LANG

AROUND THE WORLD IN 80 DAYS (LE TOUR DU MONDE EN 80 JOURS) / MICHAEL ANDERSON

1961.

A MAJORITY OF ONE (LE GENTLEMAN EN KIMONO) / MERVYN LE ROY