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1931.
GOD’S GIFT TO WOMEN / MICHAEL
CURTIZ
THE MAN IN POSSESSION / SAM
WOOD
GUILTY HANDS (MAINS
COUPABLES) / W.S. VAN DYKE
ALEXANDER HAMILTON / JOHN
G. ADOLFI
LEFT OVER LADIES / ERLE
C. KENTON
HONOR OF THE FAMILY (L’HONNEUR
DE LA FAMILLE) / LLOYD BACON
NICE WOMEN / EDWIN H. KNOPF
1932.
LOVERS COURAGEOUS (COURAGE) / ROBERT
Z. LEONARD
THE SILENT WITNESS (L’ACCUSATEUR
SILENCIEUX) / R.L. HOUGH, MARCEL
VARNEL
HOTEL CONTINENTAL (id.) / W.
CHRISTY CABANNE
THE WORLD AND THE FLESH (LE
MONDE ET LA CHAIR) / JOHN CROMWELL
MAN ABOUT TOWN / JOHN
FRANCIS DILLON
THE MAN FROM YESTERDAY (LE
REVENANT) / BERTHOLD VIERTEL
JEWEL
ROBBERY (id.) / WILLIAM DIETERLE
WINNER TAKE ALL (TOUT
AU VAINQUEUR) / ROY DEL RUTH
THE MAN CALLED BACK / ROBERT
FLOREY
TWO AGAINST THE WORLD / ARCHIE
MAYO
THE PHANTOM PRESIDENT ( LE PRESIDENT FANTOME ) / NORMAN TAUROG
SHERLOCK HOLMES (id.) / WILLIAM
K. HOWARD
1933.
OUR BETTERS (HAUTE
SOCIETE) / GEORGE CUKOR
A STUDY IN SCARLET (UNE
ETUDE EN ROUGE) / EDWIN L. MARIN
PEG O’ MY HEART (PEG
DE MON COEUR) / ROBERT
Z. LEONARD
MIDNIGHT CLUB (CLUB
DE MINUIT) / ALEXANDER HALL, GEORGE SOMNES
VOLTAIRE (id.) / JOHN
G. ADOLFI
BERKELEY
SQUARE (id.) / FRANK LLOYD
THE WORLD
CHANGES (LE MONDE CHANGE) / MERVYN
LE ROY
ROMAN
SCANDALS (SCANDALES ROMAINS) / FRANK TUTTLE
HER SECRET / WARREN MILLAIS
1934.
LONG LOST FATHER / ERNEST
B. SCHOEDSACK
THE HOUSE OF ROTHSCHILD ( LES ROTHSCHILD ) / ALFRED L. WERKER
WHERE SINNERS MEET (DOUVRES-PARIS)
/ J.
WALTER RUBEN
CHEATERS (ESCROCS)
/ PHIL
ROSEN
LITTLE MAN, WHAT NOW? (ET
DEMAIN ?) / FRANK BORZAGE
THE GIRL
FROM MISSOURI (J’EPOUSERAI UN MILLIONNAIRE) / JACK
CONWAY
ONE MORE
RIVER (SUR L’AUTRE RIVE) / JAMES WHALE
EMBARRASSING
MOMENTS (DU DRAME A LA BLAGUE) / EDWARD LAEMMLE
CHARLIE
CHAN IN LONDON (CHARLIE CHAN A LONDRES) / EUGENE FORDE
1935.
NIGHT LIFE OF THE GODS (LA
NOUBA DES DIEUX) / LOWELL SHERMAN
BECKY SHARP (id.) / ROUBEN
MAMOULIAN
LADY TUBBS / ALAN
CROSLAND
THE GAY DECEPTION (LE
GAI MENSONGE) / WILLIAM WYLER
SHE COULDN’T TAKE IT (GOSSE DE RICHE) / TAY
GARNETT
IN PERSON
(JE TE DRESSERAI) / WILLIAM
A. SEITER
1936
ROSE-MARIE / W.S. VAN DYKE
MUSS’EM
UP (DOUILLES 25-35) / CHARLES
VIDOR
DESIRE (DESIR) / FRANK BORZAGE
GIVE US THIS NIGHT (LE
REVE DE SA VIE) / ALEXANDER
HALL
THE CASE AGAINST MRS. AMES / WILLIAM
A. SEITER
FATAL LADY / EDWARD
LUDWIG
MARY OF SCOTLAND (MARIE STUART) / JOHN
FORD
MY MAN GODFREY (MON HOMME GODFREY) / GREGORY
LA CAVA
LADIES IN
LOVE (QUATRE FEMMES A LA RECHERCHE DU BONHEUR)
/ EDWARD H. GRIFFITH
FOUR DAYS WONDER / SIDNEY
SALKOW
RAINBOW ON THE RIVER (LE CHANT DU MISSOURI) / KURT NEUMANN
1937.
ON THE AVENUE (SUR
L’AVENUE) / ROY DEL RUTH
THE KING AND THE CHORUS GIRL ( LE ROI ET LA FIGURANTE ) / MERVYN LE ROY
AS GOOD AS MARRIED (J’ARRANGE
LE FISC) / EDWARD BUZZELL
MARRY THE GIRL (MARIEZ-VOUS)
/ WILLIAM
MCGANN
TOPPER (LE COUPLE INVISIBLE) / NORMAN
Z. MCLEOD
VOGUES OF 1938 (VOGUES
1938) / IRVING CUMMINGS
ON SUCH A NIGHT / EWALD
ANDRE DUPONT
MUSIC FOR MADAME ( MUSIQUE
POUR MADAME ) / JOHN G. BLYSTONE
STAND-IN (MONSIEUR
DODD PART POUR HOLLYWOOD) / TAY
GARNETT
HOLLYWOOD
HOTEL (id.) / BUSBY BERKELEY
1938.
MERRILY WE LIVE (MADAME
ET SON CLOCHARD) / NORMAN Z. MCLEOD
THERE
GOES MY HEART ( LA PAUVRE MILLIONNAIRE ) / NORMAN Z. MC LEOD
TOPPER
TAKES A TRIP (FANTOMES EN CROISIERE) / NORMAN
Z. MCLEOD
1939
NEVER SAY
DIE ( LA SOURCE AUX LOUFOQUES ) / ELLIOTT NUGENT
WAY DOWN
SOUTH (LA CHANSON DU SUD) / BERNARD VORHAUS
THE LLANO
KID (LES CONTREBANDIERS DU LLANO) / EDWARD D. VENTURINI
1940.
MUSIC IN
MY HEART (MUSIQUE
DANS MON CŒUR ou MON CŒUR CHANTE) / JOSEPH
SANTLEY
CURTAIN
CALL / FRANK WOODRUFF
SCATTERBRAIN
(UNE TETE FOLLE) / GUS MEINS
THE BOYS
FROM SYRACUSE (DONNEZ-MOI DES JUMEAUX) / A. EDWARD SUTHERLAND
THE VILLAIN STILL PURSUED HER (BOIRE
ET DEBOIRES) / EDWARD CLINE
THE QUARTERBACK (JIMMY
LE COSTAUD) / H. BRUCE HUMBERSTONE
1941.
FOOTLIGHT FEVER / IRVING
REIS
THAT HAMILTON WOMAN (LADY
HAMILTON) / ALEXANDER KORDA
THAT UNCERTAIN FEELING (ILLUSIONS
PERDUES) / ERNST LUBITSCH
THE COWBOY AND THE BLONDE (LA
VEDETTE ET SON COW-BOY) / RAY
MCCAREY
ICE-CAPADES (ESCAPADES)
/ JOSEPH
SANTLEY
MOON OVER HER SHOULDER (JEU
DANGEREUX ou LES EXPERIENCES DU DOCTEUR ROSSITER)
/ ALFRED
L. WERKER
I WAKE UP SCREAMING (QUI
A TUE VICKY LYNN?) / H.
BRUCE HUMBERSTONE
THE PERFECT SNOB (SCANDALE A HONOLULU) / RAY MCCAREY
1942.
WE WERE
DANCING (DANSE AUTOUR DE LA VIE) / ROBERT
Z. LEONARD
YOKEL BOY / JOSEPH
SANTLEY
THE MAD MARTINDALES / ALFRED L. WERKER
ISLE OF MISSING MEN (L’ILE
DES DISPARUS) / RICHARD OSWALD
PANAMA HATTIE / NORMAN Z. MC LEOD
A YANK AT ETON (UN DROLE DE LASCAR) / NORMAN TAUROG
THE DEVIL WITH HITLER (HITLER ET LE DIABLE) / GORDON DOUGLAS [MM]
1943.
THE POWERS GIRL (L’IRRESISTIBLE MISS KAY) / NORMAN Z. MCLEOD
SLIGHTLY DANGEROUS (L’AMOUR
TRAVESTI) / WESLEY RUGGLES
STAGE
DOOR CANTEEN (LE CABARET DES ETOILES) / FRANK
BORZAGE
HOLY
MATRIMONY (DEUX GRAINS DE BEAUTE) / JOHN
M. STAHL
SO THIS IS WASHINGTON / RAY MCCAREY
HIS
BUTLER’S SISTER (LA SOEUR DE SON VALET) / FRANK
BORZAGE
1944.
THE DOUGHGIRLS / JAMES
V. KERN
EVER SINCE VENUS / ARTHUR DREIFUSS
MY GAL LOVES MUSIC / EDWARD C. LILLEY
1945.
BRING ON THE GIRLS (L’OR
ET LES FEMMES) / SIDNEY LANFIELD
EARL CARROLL VANITIES (LA PRINCESSE DE BROADWAY) / JOSEPH SANTLEY
THE PHANTOM OF 42ND STREET / ALBERT
HERMAN
WHERE DO WE GO FROM HERE? (DROLE
D’HISTOIRE) / GREGORY RATOFF
TELL IT TO A STAR / FRANK
MCDONALD
MEN IN HER DIARY (SOUVENIRS
D’AMOUR) / CHARLES T. BARTON
SUNBONNET
SUE (SUZY DES
BAS-FONDS) / RALPH
MURPHY
1946.
TERROR BY NIGHT (LE TRAIN DE LA MORT) / ROY WILLIAM NEILL
IDEA GIRL / WILL
JASON
MY DARLING CLEMENTINE (LA POURSUITE INFERNALE) / JOHN FORD
1947.
THE PILGRIM LADY / LESLEY
SELANDER
LURED (DES FILLES DISPARAISSENT) / DOUGLAS
SIRK
MERTON OF THE MOVIES (L’AS
DU CINEMA) / ROBERT ALTON
CAPTAIN FROM CASTILE ( CAPITAINE DE CASTILLE ) / HENRY KING
1948.
THE MAIN STREET KID /
R.G. SPRINGSTEEN
THE PRINCE OF THIEVES (LE
PRINCE DES VOLEURS) / HOWARD
BRETHERTON
AN
INNOCENT AFFAIR (TOUS LES MARIS MENTENT) / LLOYD
BACON
MY DEAR SECRETARY (MA
CHERE SECRETAIRE) / CHARLES MARTIN
EVERY GIRL SHOULD BE MARRIED (LA
COURSE AU MARI) / DON HARTMAN
1949.
THE LONE WOLF AND HIS LADY / JOHN HOFFMAN
THE LOVABLE CHEAT (LE FAISEUR) / RICHARD OSWALD
YOU’RE MY EVERYTHING (TEL
PERE, TELLE FILLE) / WALTER LANG
BUD ABBOTT AND LOU COSTELLO MEET THE KILLER, BORIS
KARLOFF (DEUX NIGAUDS CHEZ LES TUEURS) / CHARLES
BARTON
1950.
WAGON MASTER (LE CONVOI DES BRAVES) / JOHN FORD
THE
JACKPOT (GARE AU PERCEPTEUR) / WALTER
LANG
1951.
THE LADY AND THE BANDIT (DICK
TURPIN, BANDIT GENTILHOMME) / RALPH
MURPHY
CROSSWINDS
(L’OR DE LA NOUVELLE-GUINEE) / LEWIS
FOSTER
1952.
JUST ACROSS THE STREET / JOSEPH
PEVNEY
BLACKBEARD, THE PIRATE (BARBE-NOIRE LE PIRATE) / RAOUL WALSH
ANDROCLES AND THE LION (ANDROCLES ET LE LION) / CHESTER ERSKINE
1954.
MA AND PA KETTLE AT HOME (MA
ET PA FERMIERS MODELES) / CHARLES LAMONT
THE STEEL CAGE / WALTER DONIGER
1955.
THE KING’S THIEF (LE VOLEUR DU ROI) / ROBERT Z. LEONARD
1956.
THE MAN WHO KNEW TOO MUCH (L’HOMME
QUI EN SAVAIT TROP) / ALFRED
HITCHCOCK
THE KING AND I (LE
ROI ET MOI) / WALTER LANG
AROUND THE WORLD IN 80 DAYS (LE
TOUR DU MONDE EN 80 JOURS) / MICHAEL
ANDERSON
1961.
A MAJORITY OF ONE (LE GENTLEMAN EN KIMONO) / MERVYN
LE ROY
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