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SPRING BYINGTON (17 octobre 1886, Colorado Springs, Colorado, USA) (7 septembre 1971, Los Angeles, Californie,
USA) |
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1933. LITTLE
WOMEN (LES QUATRE FILLES DU DOCTEUR MARCH) / GEORGE
CUKOR 1935. WEREWOLF
OF LONDON (LE MONSTRE DE LONDRES) / STUART
WALKER LOVE ME
FOREVER (AIMEZ-MOI TOUJOURS) / VICTOR
SCHERTZINGER ORCHIDS TO YOU / WILLIAM A. SEITER WAY DOWN EAST (A TRAVERS L’ORAGE) / HENRY KING MUTINY ON THE BOUNTY (LES REVOLTES DU BOUNTY) / FRANK LLOYD AH WILDERNESS ! (IMPETUEUSE JEUNESSE) / CLARENCE BROWN BROADWAY HOSTESS (HOTESSE DE BROADWAY) / FRANK MCDONALD THE GREAT
IMPERSONATION (ENTREPRISE D’ESPIONNAGE) / ALAN
CROSLAND 1936. THE VOICE
OF BUGLE ANN (L’APPEL DE LA MEUTE ou UNE VOIX DANS LA
NUIT) / RICHARD THORPE EVERY SATURDAY NIGHT / JAMES TINLING EDUCATING FATHER (JE SERAI AVIATEUR) / JAMES TINLING PALM SPRINGS / AUBREY SCOTTO BACK TO NATURE (RETOUR
A LA NATURE) / JAMES TINLING STAGE STRUCK (EN SCENE) / BUSBY BERKELEY DODSWORTH (DODSWORTH ou JEUNESSE PERDUE) / WILLIAM WYLER THE GIRL ON THE FRONT PAGE (EDITION SPECIALE) / HARRY BEAUMONT THE CHARGE OF THE LIGHT BRIGADE (LA CHARGE DE LA BRIGADE
LEGERE) / MICHAEL CURTIZ THEODORA GOES WILD (THEODORA DEVIENT FOLLE) / RICHARD BOLESLAWSKI 1937. OFF TO THE RACES / FRANK R. STRAYER THE GREEN LIGHT ( LA
LUMIERE VERTE ) / FRANK BORZAGE PENROD
AND SAM (LES DERNIERS HORS-LA-LOI) / WILLIAM
MCGANN A FAMILY AFFAIR (SECRETS
DE FAMILLE) / GEORGE B. SEITZ BIG BUSINESS / FRANK R. STRAYER THE ROAD BACK (APRES) / JAMES WHALE HOTEL HAYWIRE / GEORGE ARCHAINBAUD HOT WATER / FRANK R. STRAYER IT’S LOVE I’M AFTER (L’AVENTURE DE MINUIT) / ARCHIE MAYO BORROWING TROUBLE / FRANK R. STRAYER 1938. THE BUCCANEER
(LES FLIBUSTIERS) / CECIL
B. DE MILLE THE ADVENTURES OF TOM SAWYER (LES AVENTURES DE
TOM SAWYER) / NORMAN TAUROG PENROD AND HIS TWIN BROTHER / WILLIAM MCGANN LOVE ON A BUDGET / HERBERT LEEDS JEZEBEL (L’INSOUMISE) / WILLIAM WYLER A TRIP TO PARIS / MALCOLM ST. CLAIR SAFETY IN NUMBERS / MALCOLM ST. CLAIR YOU CAN’T TAKE IT WITH YOU (VOUS NE
L’EMPORTEREZ PAS AVEC VOUS) / FRANK CAPRA (Nomination
Oscar du meilleur second rôle) DOWN ON THE FARM / MALCOLM ST. CLAIR 1939. EVERYBODY’S BABY / MALCOLM ST. CLAIR THE STORY OF ALEXANDER GRAHAM BELL (ET LA PAROLE FUT…) / IRVING CUMMINGS THE JONES FAMILY IN HOLLYWOOD / MALCOLM ST. CLAIR CHICKEN WAGON FAMILY / HERBERT LEEDS QUICK MILLIONS / MALCOLM ST. CLAIR TOO BUSY TO WORK / OTTO BROWER A CHILD IS BORN (DONNEZ-MOI UN ENFANT) / LLOYD BACON 1940. THE BLUE BIRD (L’OISEAU
BLEU) / WALTER LANG LADDIE (id.) / JACK HIVELY YOUNG AS YOU FEEL / MALCOLM ST. CLAIR ON THEIR OWN / OTTO BROWER MY LOVE CAME BACK / CURTIS BERNHARDT LUCKY PARTNERS (DOUBLE CHANCE) / LEWIS MILESTONE 1941. ARKANSAS JUDGE / FRANK MCDONALD MEET JOHN DOE (L’HOMME DE LA RUE) / FRANK CAPRA THE DEVIL AND MISS JONES (LE DIABLE S’EN MELE) / SAM WOOD ELLERY QUEEN AND THE PERFECT CRIME / JAMES P. HOGAN WHEN
LADIES MEET (DUEL DE FEMMES) / ROBERT
Z. LEONARD 1942. THE
VANISHING VIRGINIAN (AU TEMPS JADIS EN VIRGNIE) / FRANK
BORZAGE ROXIE
HART (LA FOLLE HISTOIRE DE ROXIE HART) / WILLIAM WELLMAN RINGS ON
HER FINGERS (QUI PERD GAGNE) / ROUBEN
MAMOULIAN THE
AFFAIRS OF MARTHA / JULES DASSIN THE WAR AGAINST MRS. HADLEY (LA GUERRE ET MRS. HADLEY) / HAROLD S. BUCQUET 1943. PRESENTING LILY MARS (LILY MARS VEDETTE) / NORMAN TAUROG HEAVEN
CAN WAIT (LE CIEL PEUT ATTENDRE) / ERNST
LUBITSCH 1944. THE HEAVENLY BODY (LE CORPS CELESTE) / ALEXANDER HALL I’LL BE SEEING YOU (ETRANGES VACANCES) / WILLIAM DIETERLE 1945. THE ENCHANTED COTTAGE (LE COTTAGE ENCHANTE) / JOHN CROMWELL SALTY O’ROURKE (SA DERNIERE COURSE) / RAOUL WALSH THRILL OF A ROMANCE (FRISSON D’AMOUR) / RICHARD THORPE CAPTAIN EDDIE (CAPITAINE EDDIE) / LLOYD BACON MEET ME ON BROADWAY / LEIGH JASON 1946. A LETTER
FOR EVIE (UNE LETTRE POUR EVIE) / JULES
DASSIN DRAGONWYCK
(LE CHATEAU DU DRAGON) / JOSEPH
L. MANKIEWICZ LITTLE MISTER JIM / FRED ZINNEMANN FAITHFUL IN MY FASHION (CŒURS FIDELES) / SIDNEY SALKOW 1947. MY BROTHER TALKS TO HORSES / FRED ZINNEMANN LIVING IN A BIG WAY (APRES
LE REVE) / GREGORY LA CAVA SINGAPORE (SINGAPOUR) / JOHN BRAHM IT HAD TO BE YOU (L’HOMME DE MES REVES) / DON HARTMAN, RUDOLPH MATE 1948. B.F.’S DAUGHTER (L’INDOMPTEE) / ROBERT Z. LEONARD 1949. IN THE GOOD OLD SUMMERTIME (AMOUR POSTE RESTANTE) / ROBERT Z. LEONARD THE BIG WHEEL (LE GRAND DEPART) / EDWARD LUDWIG 1950. PLEASE BELIEVE ME (J’AI TROIS AMOURS) / NORMAN TAUROG LOUISA (LOUISA ou LOUISE) / ALEXANDER HALL THE SKIPPER SURPRISED HIS WIFE (UN MARI A TOUT FAIRE) / ELLIOTT NUGENT DEVIL’S
DOORWAY (LA PORTE DU DIABLE) / ANTHONY
MANN WALK
SOFTLY, STRANGER (L’ETRANGER DANS LA CITE) / ROBERT
STEVENSON 1951. THE LEMON
DROP KID (LA MOME BOULE DE GOMME) / SIDNEY
LANFIELD ACCORDING TO MRS. HOYLE / JEAN YARBROUGH ANGELS IN THE OUTFIELD / CLARENCE BROWN BANNERLINE / DON WEIS 1952. NO ROOM FOR THE GROOM / DOUGLAS SIRK BECAUSE YOU’RE MINE (TU ES A MOI) / ALEXANDER HALL 1954. THE ROCKET MAN / OSCAR RUDOLPH 1960. PLEASE
DON’T EAT THE DAISIES (NE MANGEZ PAS LES MARGUERITES) / CHARLES
WALTERS |
