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ZASU PITTS (3 janvier 1894, Parsons, Kansas, USA) (7 juin 1963, Los Angeles, Californie,
USA) |
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* Environ 80 films avant
1930, puis 1930. NO NO NANETTE
(id.) / CLARENCE BADGER HONEY / WESLEY
RUGGLES THE DEVIL’S HOLIDAY (VOLEUSE)
/ EDMUND GOULDING LITTLE ACCIDENT (FILS
A PAPA) / WILLIAM JAMES CRAFT THE SQUEALER (LA
MOUCHARDE) / HARRY JOE BROWN WAR NURSE
(LA GUERRE DES FEMMES) / EDGAR SELWYN THE LOTTERY BRIDE (UNE FIANCEE EN LOTERIE) / PAUL
L. STEIN RIVER’S
END (SUR LA PISTE GLACEE) / MICHAEL
CURTIZ SIN TAKES A HOLIDAY (id.) / PAUL
L. STEIN THE HONEYMOON (MARIAGE DE PRINCE) / ERICH
VON STROHEIM [suite du film The Wedding March = Symphonie nuptiale] PASSION FLOWER / WILLIAM C. DE MILLE FREE LOVE / HOBART HENLEY 1931. FINN AND HATTIE / NORMAN
Z. MCLEOD, NORMAN TAUROG THE BAD SISTER / HOBART HENLEY BEYOND VICTORY (AU-DELA
DE LA VICTOIRE) / JOHN
S. ROBERTSON SEED (DIX
PETITS PIEDS) / JOHN M. STAHL A WOMAN OF EXPERIENCE / HARRY
JOE BROWN THEIR MAD MOMENT / HAMILTON
MACFADDEN THE BIG GAMBLE / FRED
NIBLO PENROD AND SAM (COEURS
D’ENFANTS) / WILLIAM BEAUDINE THE GUARDSMAN (id.) / SIDNEY
FRANKLIN THE SECRET WITNESS / THORNTON
FREELAND 1932. THE UNEXPECTED FATHER (C’EST
MON PAPA) / THORNTON FREELAND BROKEN
LULLABY (L’HOMME QUE J’AI TUE) / ERNST LUBITSCH STEADY COMPANY / EDWARD
LUDWIG SHOPWORN / NICK
GRINDE DESTRY RIDES AGAIN (LE RETOUR DE TOM) / BEN
STOLOFF THE TRIAL OF VIVIENNE WARE (LE
PROCES DE VIVIENNE WARE) / WILLIAM K. HOWARD STRANGERS OF THE EVENING (ETRANGERS
DE LA NUIT) / H. BRUCE HUMBERSTONE WESTWARD PASSAGE / ROBERT MILTON IS MY FACE RED? / WILLIAM
A. SEITER MAKE ME A
STAR (FAITES DE MOI UNE ETOILE) / WILLIAM BEAUDINE ROAR OF THE DRAGON (LE
DEMON JAUNE) / WESLEY RUGGLES THE VANISHING FRONTIER / PHIL
ROSEN BACK STREET (BACK STREET ou HISTOIRE
D’UN AMOUR) / JOHN M. STAHL BLONDIE
OF THE FOLLIES (LA REINE DES GIRLS) / EDMUND
GOULDING THE CROOKED CIRCLE (LE CLUB DES DIABLES NOIRS) / H.
BRUCE HUMBERSTONE ONCE IN A LIFETIME / RUSSELL MACK MADISON SQUARE GARDEN / HARRY JOE BROWN THEY JUST HAD TO GET MARRIED (ILS DEVAIENT SE MARIER) / EDWARD
LUDWIG 1933. OUT ALL NIGHT (DEHORS LA NUIT) / SAM
TAYLOR HELLO SISTER (EN
DESCENDANT BROADWAY) / ALFRED
L. WERKER PROFESSIONAL SWEETHEART / WILLIAM
A. SEITER HER FIRST MATE (UN FAMEUX MARIN) / WILLIAM
WYLER LOVE, HONOR AND OH, BABY / EDWARD
BUZZELL AGGIE APPLEBY, MAKER OF MEN (AGGIE
APPLEBY) / MARK SANDRICH MEET THE
BARON (MOI ET LE BARON) / WALTER LANG MR. SKITCH / JAMES
CRUZE 1934. THE MEANEST GAL IN TOWN / RUSSELL MACK TWO ALONE
(DEUX TOUT SEULS) / ELLIOTT NUGENT THREE ON A HONEYMOON / JAMES
TINLING SING AND LIKE IT (id.) / WILLIAM
A. SEITER LOVE BIRDS (MAISON
A VENDRE) / WILLIAM A. SEITER PRIVATE SCANDAL / RALPH
MURPHY DAMES (id.) / RAY
ENRIGHT, BUSBY BERKELEY THEIR BIG MOMENT / JAMES
CRUZE MR. WIGGS OF THE CABBAGE PATCH / NORMAN
TAUROG THE GAY BRIDE (L’INTRIGANTE) / JACK
CONWAY 1935. RUGGLES OF RED GAP (L’EXTRAVAGANT MONSIEUR RUGGLES) / LEO
MCCAREY SPRING TONIC / CLYDE
BRUCKMAN GOING HIGHBROW / ROBERT
FLOREY SHE GETS HER MAN / WILLIAM
NIGH HOT TIP / RAY
MCCAREY THE AFFAIR OF SUSAN (SOLITUDE)
/ KURT
NEUMANN 1936. THIRTEEN HOURS BY AIR (TREIZE HEURES DANS L’AIR) / MITCHELL LEISEN MAD HOLIDAY / GEORGE
B. SEITZ THE PLOT THICKENS (LE
MEURTRE DE JOHN CARTER) / BEN HOLMES SING ME A LOVE SONG (FRIVOLITES)
/ RAY
ENRIGHT 1937. WANTED / GEORGE KING MERRY COMES TO TOWN / GEORGE KING FOUR NAUGHTY GIRLS (LES
QUARANTE PECHERESSES) / EDWARD
F. CLINE 52ND STREET (52ième RUE) / HAROLD
YOUNG 1939. THE LADY’S FROM KENTUCKY (GAGNANT
ET PLACE) / ALEXANDER HALL NAUGHTY BUT NICE (FAUSSES
NOTES) / RAY ENRIGHT MICKEY THE KID (MICKEY, ENFANT DES RUES ou
PETIT MICKEY) / ARTHUR LUBIN NURSE EDITH CAVELL (MISS EDITH CAVELL) / HERBERT
WILCOX ETERNALLY
YOURS (DIVORCE MALGRE LUI) / TAY GARNETT 1940. IT ALL CAME TRUE (RENDEZ-VOUS A MINUIT) / LEWIS
SEILER NO NO NANETTE
(id.) / HERBERT WILCOX 1941. BROADWAY
LIMITED (LE RAPT DU RAPIDE 5) / GORDON DOUGLAS NIAGARA FALLS / GORDON
DOUGLAS UNCLE JOE / HOWARD RAILSBACK, WILLIAM STROHBACH WEEKEND FOR THREE / IRVING
REIS MISS POLLY (id.) / FRED
GUIOL THE MEXICAN SPITFIRE’S BABY / LESLIE
GOODWINS 1942. MEXICAN SPITFIRE AT SEA / LESLIE
GOODWINS THE BASHFUL BACHELOR / MALCOLM
ST. CLAIR SO’S YOUR AUNT EMMA / JEAN
YARBROUGH TISH / S.
SYLVAN SIMON 1943. LET’S FACE IT (EN VADROUILLE) / SIDNEY
LANFIELD 1946. BREAKFAST IN HOLLYWOOD / HAROLD
D. SCHUSTER THE
PERFECT MARRIAGE (MARIAGE PARFAIT) / LEWIS ALLEN 1947. LIFE WITH
FATHER (MON PERE ET NOUS) / MICHAEL CURTIZ 1950. FRANCIS (FRANCIS, LE MULET QUI PARLE) / ARTHUR LUBIN 1952. DENVER
AND RIO GRANDE (LES RIVAUX DU RAIL) / BYRON HASKIN 1954. FRANCIS
JOINS IN THE WACS (FRANCIS CHEZ LES WACS) / ARTHUR LUBIN 1957. THIS
COULD BE THE NIGHT (CETTE NUIT OU JAMAIS) / ROBERT WISE 1961. TEENAGE
MILLIONAIRE / LAWRENCE DOHENY 1963. THE
THRILL OF IT ALL (LE PIMENT DE LA VIE) / NORMAN JEWISON IT’S A
MAD MAD MAD MAD WORLD (UN MONDE FOU FOU FOU FOU) / STANLEY KRAMER |
