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PRESTON FOSTER (24 août 1900,
Pitman, New Jersey, USA) (14 juillet 1970, La Jolla, Californie,
USA)
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1929. NOTHING BUT THE TRUTH / VICTOR
SCHERTZINGER 1930. HEADS UP / VICTOR
SCHERTZINGER FOLLOW THE LEADER / NORMAN TAUROG 1931. HIS WOMAN (SA
FEMME) / EDWARD SLOMAN 1932. TWO
SECONDS (DEUX SECONDES) / MERVYN LE ROY DOCTOR X
(DOCTEUR X) / MICHAEL CURTIZ THE LAST MILE (REVOLTE A SING SING) / SAMUEL BISCHOFF LIFE
BEGINS (LA VIE COMMENCE) / JAMES
FLOOD, ELLIOTT NUGENT THE ALL-AMERICAN / RUSSELL MACK I AM A FUGITIVE FROM A CHAIN GANG ( JE SUIS UN EVADE ) / MERVYN LE ROY YOU SAID
A MOUTHFUL (A TOUR DE BRASSES) / LLOYD BACON 1933. SENSATION
HUNTERS (CHASSEURS DE SENSATIONS) / CHARLES
VIDOR LADIES THEY TALK ABOUT / HOWARD
BRETHERTON, WILLIAM KEIGHLEY ELMER THE
GREAT (LE POSEUR) / MERVYN LE ROY DANGEROUS
CROSSROADS (CROISEMENT DANGEREUX) / LAMBERT
HILLYER CORRUPTION
/ CHARLES E. ROBERTS THE MAN WHO DARED / HAMILTON
MACFADDEN THE DEVIL’S MATE (LA FLECHE EMPOISONNEE) / PHIL ROSEN HOOPLA (HOUP LA) / FRANK LLOYD 1934. HEAT LIGHTNING (ECLAIR DE CHALEUR) / MERVYN LE ROY WHARF ANGEL (L’ANGE
DU PORT) / WILLIAM CAMERON MENZIES, GEORGE SOMNES SLEEPERS EAST / KENNETH MACKENNA THE BAND PLAYS ON / RUSSELL MACK 1935. STRANGERS
ALL (DROLE DE FAMILLE) / CHARLES
VIDOR THE PEOPLE’S ENEMY / CRANE
WILBUR THE INFORMER ( LE MOUCHARD ) / JOHN FORD THE ARIZONIAN / CHARLES VIDOR THE LAST DAYS OF POMPEII (LES DERNIERS JOURS DE POMPEI) / ERNEST
B. SCHOEDSACK ANNIE OAKLEY ( LA GLOIRE DU CIRQUE ) / GEORGE STEVENS WE’RE
ONLY HUMAN (CE N’ETAIT QU’UN HOMME) / JAMES
FLOOD 1936. MUSS’EM
UP (DOUILLES 25-35) / CHARLES
VIDOR LOVE
BEFORE BREAKFAST (CE QUE FEMME VEUT) / WALTER LANG THE PLOUGH AND THE STARS ( REVOLTE
A DUBLIN ) / JOHN FORD 1937. WE WHO ARE ABOUT TO DIE (PRISON
D’HOMMES) / W. CHRISTY CABANNE SEA
DEVILS (LES DEMONS DE LA MER) / BEN
STOLOFF THE OUTCASTS OF POKER FLAT ( LA
VILLE DE L’ OR ) / W. CHRISTY CABANNE YOU CAN’T BEAT LOVE / W.
CHRISTY CABANNE THE WESTLAND CASE (LE MEURTRE DE WESTLAND) / W.
CHRISTY CABANNE FIRST LADY / STANLEY LOGAN 1938. EVERYBODY’S DOING IT (FOLIES
EN CASCADES) / W. CHRISTY CABANNE DOUBLE DANGER / LEW
LANDERS THE LADY IN THE MORGUE (UNE FEMME DANS LA MORGUE) / OTIS GARRETT ARMY GIRL / GEORGE NICHOLS JR THE STORM (TEMPETE)
/ HAROLD
YOUNG SUBMARINE PATROL (PATROUILLE EN MER) / JOHN FORD UP THE RIVER (VOUS ETES DERRIERE LES BARREAUX ?) / ALFRED L. WERKER THE LAST WARNING (LE DERNIER AVERTISSEMENT) / ALBERT
S. ROGELL 1939. SOCIETY SMUGGLERS (GENTLEMEN CAMBRIOLEURS) / JOE MAY CHASING DANGER / RICARDO CORTEZ NEWS IS MADE AT NIGHT (EDITION DE MINUIT) / ALFRED
L. WERKER 20 000 MEN A YEAR (LES
AIGLONS) / ALFRED E. GREEN MISSING EVIDENCE / PHIL
ROSEN GERONIMO (GERONIMO
LE PEAU-ROUGE) / PAUL SLOANE 1940. CAFE HOSTESS / SIDNEY
SALKOW NORTH WEST MOUNTED POLICE (LES
TUNIQUES ECARLATES) / CECIL
B. DE MILLE MOON OVER BURMA (NUITS
BIRMANES) / LOUIS KING 1941. THE ROUNDUP (CONTREBANDE AU TEXAS) / LESLEY SELANDER UNFINISHED BUSINESS (HISTOIRE INACHEVEE) / GREGORY LA CAVA 1942. SECRET AGENT OF JAPAN (SHANGHAI,
NID D’ESPIONS) / IRVING PICHEL A GENTLEMAN AFTER DARK (L’HOMME A L’HELIOTROPE) / EDWIN L. MARIN NIGHT IN NEW ORLEANS (UNE NUIT A NEW ORLEANS) / WILLIAM
CLEMENS LITTLE TOKYO, USA / OTTO
BROWER THUNDER BIRDS (PILOTES
DE CHASSE) / WILLIAM WELLMAN AMERICAN EMPIRE (FAR
WEST) / WILLIAM MCGANN 1943. MY FRIEND FLICKA (MON
AMIE FLICKA) / HAROLD SCHUSTER GUADALCANAL DIARY (GUADALCANAL)
/ LEWIS
SEILER 1944. BERMUDA MYSTERY (MYSTERE AUX BERMUDES) / BEN STOLOFF ROGER TOUHY, GANGSTER (id.) / ROBERT
FLOREY 1945. THUNDERHEAD – SON OF FLICKA (JUPITER)
/ LOUIS
KING THE VALLEY OF DECISION (LA
VALLEE DU JUGEMENT) / TAY GARNETT TWICE BLESSED (DEUX
FOIS BENI) / HARRY BEAUMONT BUD ABBOTT AND LOU COSTELLO IN HOLLYWOOD (DEUX NIGAUDS A HOLLYWOOD) / S.
SYLVAN SIMON 1946. THE HARVEY GIRLS (LES DEMOISELLES HARVEY)
/ GEORGE
SIDNEY TANGIER (TANGER)
/ GEORGE
WAGGNER STRANGE TRIANGLE / RAY
MCCAREY INSIDE
JOB / JEAN YARBROUGH 1947. RAMROD (FEMME
DE FEU) / ANDRE DE TOTH KING OF THE WILD HORSES (ROYAL,
L’ETALON BAGARREUR) / GEORGE
ARCHAINBAUD 1948. THE HUNTED (L’EMPRISE)
/ JACK BERNHARD THUNDERHOOF (L’ETALON SAUVAGE ou LE CHEVAL INDOMPTE)
/ PHIL KARLSON 1949. I SHOT JESSE JAMES (J’AI TUE JESSE JAMES) / SAMUEL FULLER THE BIG CAT (LE
CHAT SAUVAGE) / PHIL KARLSON 1950. THE TOUGHER THEY COME (FORET
EN FLAMMES) / RAY NAZARRO 1951. THREE DESPERATE MEN (LA
FURIE DE L’OUEST) / SAM NEWFIELD THE BIG GUSHER / LEW
LANDERS THE BIG NIGHT (LA
GRANDE NUIT) / JOSEPH LOSEY 1952. MONTANA TERRITORY (COLT
AU POING) / RAY NAZARRO KANSAS CITY CONFIDENTIAL (LE QUATRIEME HOMME) / PHIL KARLSON 1953. LAW AND ORDER (QUAND
LA POUDRE PARLE) / NATHAN JURAN THE MARSHAL’S DAUGHTER / WILLIAM
BERKE I, THE JURY (J’AURAI
TA PEAU) / HARRY ESSEX 1957. DESTINATION 60 000 (DESTINATION 60 000 PIEDS) / GEORGE
WAGGNER 1963. THE MAN FROM GALVESTON (L’HOMME DE GALVESTON) /
WILLIAM CONRAD 1964. ADVANCE TO THE REAR (LE BATAILLON DES LACHES) / GEORGE
MARSHALL THE TIME TRAVELERS / IB MELCHIOR 1967. YOU’VE GOT TO BE SMART / ELLIS KADISON CHUBASCO (CHUBASCO
LE REBELLE) / ALLEN H. MINER |
