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CHARLES RUGGLES (8 février 1886, Los Angeles, Californie,
USA) (23 décembre 1970, Santa Monica, Californie,
USA) |
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Quelques
films de 1915 à 1929, puis 1930. ROADHOUSE NIGHTS / HOBART HENLEY YOUG MAN OF MANHATTAN / MONTA
BELL QUEEN HIGH / FRED
C. NEWMEYER HER WEDDING NIGHT (SA
NUIT DE NOCES) / FRANK TUTTLE CHARLEY’S
AUNT (LA TANTE DE CHARLEY ou LA MARRAINE DE CHARLEY)
/ AL CHRISTIE 1931. HONOR AMONG LOVERS (id.) / DOROTHY
ARZNER THE
SMILING LIEUTENANT (LE LIEUTENANT SOURIANT) / ERNST
LUBITSCH THE GIRL HABIT (GIRL
HABIT) / EDWARD CLINE BELOVED BACHELOR (id.) / LLOYD CORRIGAN HUSBAND’S HOLIDAY (id.) / ROBERT MILTON 1932. THIS RECKLESS AGE (L’AGE
INGRAT) / FRANK TUTTLE ONE HOUR WITH YOU (UNE HEURE PRES DE TOI) / ERNST LUBITSCH THIS IS THE NIGHT (LA
BELLE NUIT) / FRANK TUTTLE MAKE ME A
STAR (FAITES DE MOI UNE ETOILE) / WILLIAM
BEAUDINE LOVE ME
TONIGHT (AIMEZ-MOI CE SOIR) / ROUBEN
MAMOULIAN 70 000 WITNESSES / RALPH MURPHY THE NIGHT OF JUNE 13 (LA NUIT DU 13 JUIN) /
STEPHEN ROBERTS TROUBLE IN PARADISE (HAUTE
PEGRE) / ERNST LUBITSCH EVENINGS FOR SALE (NOSTALGIE VIENNOISE) / STUART
WALKER IF I HAD A MILLION (SI J’AVAIS UN MILLION) / COLLECTIF MADAME BUTTERFLY (id.) / MARION
GERING 1933. MURDERS IN THE ZOO (LE
SERPENT MAMBA) / A.
EDWARD SUTHERLAND TERROR ABOARD (TERREUR
A BORD) / PAUL SLOANE MELODY CRUISE (CROISIERE SENTIMENTALE) / MARK
SANDRICH MAMA LOVES PAPA (MAMAN
AIME PAPA) / NORMAN Z. MCLEOD GOODBYE LOVE / H.
BRUCE HUMBERSTONE GIRL WITHOUT A ROOM (LA DAME SANS LOGIS) / RALPH MURPHY ALICE IN
WONDERLAND (ALICE AU PAYS DES MERVEILLES) / NORMAN Z. MCLEOD 1934. SIX OF A KIND (POKER
PARTY) / LEO MCCAREY MELODY IN SPRING / NORMAN
Z. MCLEOD MURDER IN THE PRIVATE CAR (LE
MYSTERE DU RAPIDE) / HARRY
BEAUMONT FRIENDS OF MR. SWEENEY / EDWARD
LUDWIG THE PURSUIT OF HAPPINESS (CHERCHEZ VOTRE BONHEUR) / ALEXANDER
HALL 1935. RUGGLES OF RED GAP (L’EXTRAVAGANT MR. RUGGLES) / LEO
MCCAREY PEOPLE WILL TALK / ALFRED
SANTELL NO MORE LADIES (LA FEMME DE SA VIE) / EDWARD H. GRIFFITH THE BIG BROADCAST OF 1936 (SYMPHONIE BURLESQUE) / NORMAN TAUROG 1936. ANYTHING GOES (TRANSATLANTIC
FOLLIES) / LEWIS MILESTONE THE PREVIEW MURDER MYSTERY (L’HOMME SANS VISAGE) / ROBERT
FLOREY EARLY TO
BED (VINGT-CINQ ANS DE FIANCAILLES) / NORMAN
Z. MCLEOD HEARTS DIVIDED (BETSY)
/ FRANK
BORZAGE YOURS FOR THE ASKING / ALEXANDER
HALL HOLLYWOOD BOULEVARD / ROBERT
FLOREY WIVES NEVER KNOW / ELLIOTT
NUGENT MIND YOUR OWN BUSINESS / NORMAN
Z. MCLEOD 1937. TURN OFF THE MOON (ETEIGNEZ
LA LUNE) / LEWIS SEILER EXCLUSIVE (id.) / ALEXANDER
HALL 1938. BRINGING UP BABY (L’IMPOSSIBLE
MONSIEUR BEBE) / HOWARD HAWKS BREAKING THE ICE (SERENADE
SUR LA GLACE) / EDWARD CLINE SERVICE
DE LUXE (id.) / ROWLAND V. LEE HIS EXCITING NIGHT (UNE JOYEUSE AVENTURE) /
GUS MEINS 1939. BOY TROUBLE (ENNUIS
DE MENAGE) / GEORGE ARCHAINBAUD SUDDEN MONEY (id.) / NICK
GRINDE INVITATION TO HAPPINESS (INVITATION AU BONHEUR) / WESLEY
RUGGLES NIGHT WORK (id.) / GEORGE
ARCHAINBAUD BALALAIKA (id.) / REINHOLD
SCHÜNZEL 1940. THE FARMER’S DAUGHTER / JAMES
P. HOGAN OPENED BY MISTAKE (OUVERT
PAR ERREUR) / GEORGE ARCHAINBAUD MARYLAND (id.) / HENRY
KING PUBLIC DEB N° 1 / GREGORY
RATOFF NO TIME FOR COMEDY (FINIE
LA COMEDIE) / WILLIAM KEIGHLEY THE INVISIBLE WOMAN (LA FEMME INVISIBLE) / A.
EDWARD SUTHERLAND 1941. HONEYMOON FOR THREE (LUNE DE MIEL A TROIS) / LLOYD
BACON MODEL WIFE (UNE EPOUSE MODELE) / LEIGH
JASON THE PARSON OF PANAMINT (LA CITE PERDUE) / WILLIAM
MCGANN GO WEST, YOUNG LADY (LA
DANSEUSE DU FAR WEST) / FRANK STRAYER THE PERFECT SNOB (SCANDALE A HONOLULU) / RAY
MCCAREY FRIENDLY ENEMIES / ALLAN
DWAN 1943. 1944. THE DOUGHGIRLS / JAMES
V. KERN OUR HEARTS WERE YOUNG AND GAY (id.) / LEWIS
ALLEN THREE IS A FAMILY (TROIS
C’EST UNE FAMILLE) / EDWARD LUDWIG 1945 BEDSIDE MANNER / ANDREW
L. STONE INCENDIARY BLONDE (LA BLONDE INCENDIAIRE) / GEORGE MARSHALL 1946. A STOLEN LIFE (LA VOLEUSE) / CURTIS BERNHARDT GALLANT JOURNEY (SES PREMIERES AILES) / WILLIAM WELLMAN THE PERFECT MARRIAGE (MARIAGE PARFAIT) / LEWIS ALLEN 1947. MY BROTHER TALKS TO HORSES / FRED
ZINNEMANN RAMROD (FEMME
DE FEU) / ANDRE DE TOTH IT HAPPENED ON FIFTH AVENUE (C’EST ARRIVE DANS LA 5e AVENUE) / ROY
DEL RUTH 1948. GIVE MY REGARDS TO BROADWAY (BROADWAY MON AMOUR) / LLOYD
BACON 1949. THE LOVABLE CHEAT (LE FAISEUR) / RICHARD OSWALD LOOK FOR THE SILVER LINING (LE GRAND TOURBILLON) / DAVID
BUTLER 1952. THE LAS VEGAS STORY (SCANDALE A LAS VEGAS) / ROBERT
STEVENSON 1956. GIRL ON
THE SUBWAY (LA JEUNE FILLE DU METRO) / JOHN
RICH [TV film exploité au cinéma) [MM] 1959. THE BELLS OF ST. MARY’S / TOM DONOVAN (TV) ONCE UPON A CHRISTMAS TIME / KIRK BROWNING (TV) 1961. ALL IN A NIGHT’S WORK (IL
A SUFFI D’UNE NUIT) / JOSEPH
ANTHONY THE PLEASURE OF HIS COMPANY (MON SEDUCTEUR DE PERE) / GEORGE
SEATON THE
PARENT TRAP (LA FIANCEE DE PAPA) / DAVID
SWIFT 1963. SON OF
FLUBBER (APRES LUI LE DELUGE) / ROBERT
STEVENSON PAPA’S DELICATE CONDITION / GEORGE
MARSHALL 1964. I’D RATHER BE RICH (DEUX
FIANCES SUR LES BRAS) / JACK
SMIGHT 1966. THE UGLY
DACHSHUND (QUATRE BASSETS POUR UN DANOIS) / NORMAN
TOKAR FOLLOW ME
BOYS (DEMAIN DES HOMMES) / NORMAN
TOKAR 1967. CAROUSEL
/ PAUL
BOGART (TV) |
